Black Lives Matter

A shiny metal sculpture of a tree lit at night with purple lights in a show of solidarity with #blacklivesmatter protests
Anya Gallacio’s Untitled 2016,
lit up as part of a show of solidarity for #BlackLivesMatter

Around the world people are demonstrating their outrage at the killing of George Floyd and with other cultural institutions we join in condemning racist oppression and violence. Like millions of others we have taken to social media, to observe #blackouttuesday, to take time to think about our position and to participate in providing a space for the amplification of black voices.

Deeds not words

As civic and public art institutions founded in the nineteenth century we need to do this with care and consideration. Our roots, and those of our city, are entangled with colonialism and capitalism, our prosperity built on manufacture, trade and empire – and this resonates today. We understand that it is critical to acknowledge and address structural racism, and show solidarity with local and global communities that are subject to racial inequality and discrimination. Yet we also know that actions speak louder than words – we must make practical and tangible contributions to change.

So what can an art museum do in this respect, beyond the symbolic?

Speaking up and speaking out

Both the Whitworth and Manchester Art Gallery have been working to decolonise and de-modernise the narrative of our collections and exhibitions. Recently, we have been inviting and supporting a wide range of constituents to use the museum to speak up and out to others and to provide space for a multitude of voices and experiences. Exhibitions such as Beyond FaithBodies of ColourFour Corners of One Cloth and The Reno at the WhitworthSpeech ActsWaqas KhanSonia Boyce and our new project with Jade Montserrat and INIVA at the Manchester Art Gallery are some examples of how we are trying to be part of the conversation and actively contribute to change. 

We have also been updating our collecting policies – in our collecting today, we are working to rectify the historic imbalance between white male artists and other artists who have been side-lined. We want to collect art that is representative of all our communities, and this means continually educating ourselves and listening to a diversity of voices.

Getting together and getting things done

Museums have a great convening power, to bring people together to share, exchange and create positive forms of culture and connecting, but beyond this we also need action. This work is wider-ranging but as a whole starts to build a head of steam that does more than create cultural capital for institutions. It starts to shift policy and practice in the wider world. This is operational stuff; creating a new curriculum for schools across the city that works for everyone; working with artists such as Suzanne Lacy and Imran Peretta to give voice and agency to youth; offering up the gallery spaces for groups to use for their own ends and means; changing policy in employment and access; supporting political and activist art internationally; working with our colleagues in the University and third sector to address health inequality amongst ethnic minority communities. A School of Integration

There is a long way to go, but I hope that through collective action not just our museums will be transformed, but that the world on our doorstep will be as well.

Alistair Hudson, Director, the Whitworth and Manchester Art Gallery

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